Writings by Serge Kozlovsky
Richard Bone: Explorer of the Inner Universe
(interview
conducted by Serge
Kozlovsky)
Serge:
Let us start from the most fresh news. As
far as I know, not long ago you went to Mexico
where you visited pyramids and ancient ruins
at Chichen-Itza. I also know that you are
interested in Indian culture and philosophy
(in particular, Toltec philosophy). You have
written me that as a result of your journey
you are going to produce a 30-minute black and
white film and a new album. Could you please
tell me about these projects more in detail.
When could we expect their realization and how
could you characterize them? Which interesting
events and impressions did you experience
during these journeys?
Richard:
The video, which was to be color, has been
temporarily shelved. It was to accompany a
live performance which has since been
canceled. Although I am disappointed, I always
remain confident that higher powers guide our
lives. Therefore I take comfort in knowing
that the live performance was not right for me
at this time. There is a new CD, however,
based on my visit to Chichen-Itza and my
Toltec studies. The disc is called "TALES FROM
THE INCANTINA" and will be released in late
March or April. It is a completely ambient
work. It is also very influenced by my love
for the works of Harold
Budd.
Serge:
Now I feel
this is a good place to move on to your
original (and my favorite) trilogy
"Electropica", "Coxa" and "Ascensionism". In
my view you have an interesting approach to
the work with sound: you use very interesting
sounds, unexpected sound combinations, and
during listening to your e can hear
something unusual - a new detail, a change of
a mood, and other original things. With that
you have very interesting melodies. Your music
can' t be compared to music by anyone else.
Could you tell me about the process of your
creative work? How do you work with sound,
what is important for you in the process of
your work and how does it all happen in
general?
Richard:
My approach
to writing, in the last 7 years, is always the
same. First I take time to silence the world
around me via meditation. Then, I simply begin
to improvise on the keyboard. After that
point, something greater than myself takes
over. Rarely do I even have any recollection
of the writing process. Sometimes I will place
a photograph that symbolizes the current
project. But beyond that I do not have any
preconceived idea when I start to
write.
Serge:
Your trilogy differs on its sound from all
the music which I have heard before. This is a
completely special "cocktail" of jazz, ambient
and new age music. How could you characterize
your music? That is not for me to say. Which
album of the trilogy (they are very different)
do you like most of all?
Richard:
I prefer not
to choose. It would be of greater interest to
know which CD is YOUR favorite.
Serge:
A detective
plot is present in your album "Coxa" (I mean
the compositions "Playa Six" and "Outside the
Incrimination Field"). What story did you want
to tell us here? In general, with what is
connected the "detective mood" present in your
music as it is felt in the above mentioned
album?
Richard:
As I mentioned a moment ago, I do not write
with an attempt to convey ANYTHING. The music
simply evolves to be what it was meant to be.
I do not try to edit that
process.
Serge:
In the last
album of the trilogy - "Ascensionism", I can
feel the ethnical Hebrew and Egyptian tunes
are presented. Your music is inspired by
mystical teachings of Kabbalah and spiritual
schools high over the Ancient Egypt and Luxor.
By the way, could you tell me what is Luxor
and what is the meaning of
Kavvannah?
Richard:
Luxor an
ancient city in Egypt believed by some to be
an energy vortex (as is Sedona, Arizona)... In
the Kabbalah "Kavvannah" just means "one who
is supremely aware of their own existence and
it's vast
implications".
Serge:
Thank you.
So, please tell more in detail about your
interest of the ancient cultures and their
music. Is the use of mysterious ethnical tunes
part of your spiritual search, and if yes,
then how?
Richard:
I have been
blessed with the good fortune to travel to
many exotic parts of the world. With those
travels comes the awareness that, although we
may follow different paths, we are all on a
spiritual journey with the same destination.
The music in Ascensionism, for example, is
simply the result of my personal journey at
that moment. Just as "Tales from the
Incantina" reflects a different point in my
life.
Serge:
What is your
spiritual development? Are you practicing any
spiritual techniques?
Richard:
Since all
doctrines have the same destination, it
changes
constantly.
Serge:
In the album
"Ascensionism" we have met Jet Swami, a
personage which you created. Could you tell me
about Jet Swami? Why did you create such a
personage?
Richard:
To amuse
myself and possibly others. Mr. Swami has,
however, left
us.
Serge:
What are the similarities and differences
of your trilogy being compared with your other
works? Is it possible you will create
something of this kind in the near
future?
Richard:
I have no plans, I am but a
vessel.
Serge:
Now, let us
talk about the other side of your creative
work. You are also producing pure ambient
projects. Not long ago, Hypnos Records
released your albums "The Spectral Ships" and
"Ether Dome". Why are the ambient projects
important for you and what are you aspiring to
express in these works?
Richard:
The ambient
works are simply another aspect of my
personality. To create the same style of music
again and again would not honor
life.
Serge:
Are you going
to continue your collaboration with Hypnos
Records?
Richard:
Time will
tell.
Serge:
Could we
expect new ambient projects from
you?
Richard:
Yes, I have
created an ambient division of my Quirkworks
label called INDIUM.
The reason for this is to allow people to
know immediately (by looking at the label)
whether it's an ambient work (Indium) or a
rhythmic work
(Quirkworks).
Serge:
Could you say
a few words about your album "Metaphysic
Mambo"? What was important for you to express
in this project?
Richard:
I must make
it clear that there is never an attempt to
"express" anything. Whatever CD is created at
any given time is simply the result of my life
experiences at the time combined with guidance
coming to me from beyond.
Serge:
In general,
which of your many albums is especially dear
to you and why?
Richard:
The one I
have yet to
create!
Serge:
Universe of
Richard Bone: could you describe it, what it
looks like and what is present
there?
Richard:
It looks like
your very favorite
dream.
Serge:
Now we can proceed to the Internet. You
have a very aesthetic and informative web
site, which was made for you by Marleen
Kingsley of her own initiative. How did it all
start? How did you meet Marleen?
Richard:
Marleen sent
me a warm and wonderful e-mail after hearing
my track, Cancion del Arco on radio. Although
we live a great distance apart, I have no
doubt that we were once siblings. She is one
the finest people to have ever entered my
life. I am so grateful for all she
does.
Serge:
Your albums were released by various record
companies. Among them are your own QuirkWorks
Laboratory, Halcyon and Hypnos Records. In
general where do you prefer to produce your
albums? Which company is most easy for you to
work with and on which labels are you going to
release your future albums?
Richard:
I have no
preconceived ideas or plans. Every day, when I
awake, is filled with endless
possibilities.
Serge:
Are you going
to make concert tours?
Richard:
Perhaps.
Serge:
Do you plan
to create movie music?
Richard:
That is a
fantasy of mine. Perhaps
someday!
Serge:
What are your
interests in life and hobbies?
Richard:
My interests
are: exploring the universe both within myself
and without.
Serge:
Are you fond
of traveling?
Richard:
Most
definitely!
Serge:
What is your
family?
Richard:
I am proud to say that I am a gay man
living in a long term relationship. Many of my
fans know that I am gay, some do not. I have
no patience for intolerance, so those who are
offended by my sexual preference must seek an
outlet for their ignorance elsewhere. I would
like to have your reaction to this (possible)
news. I have found that the European view is
usually far more progressive than here in the
US. But, we are all evolving together. Someday
soon this will not even be the slightest
issue.
Serge:
What would
you like to wish readers of our magazine and
in general, admirers of your music in Belarus
and Russia?
Richard:
The joy of
stillness, the magic of attainable peace...and
a really great meal!!!
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